One of the few indisputable geniuses of pop music, Sly Stone is a trailblazer who created a new kind of music, mixing Black and white, male and female, funk and rock; penned some of the most iconic anthems of the 1960s and 70s, from "Everyday People" to "Family Affair"; and electrified audiences with a persona and stage presence that set a lasting standard for pop culture performance. Yet he has also been a cautionary tale, known as much for how he dropped out of sight as for what put him in the spotlight in the first place. As much as people know the music, the man remains a mystery. In Thank You, his much-anticipated memoir, he's finally ready to share his story - a story that many thought he'd never have the chance to tell. Written with Ben Greenman, who has written memoirs with George Clinton and Brian Wilson among others, Thank You will include a foreword by Questlove. The book was created in collaboration with Sly Stone's manager Arlene Hirschkowitz. "For as long as I can remember folks have been asking me to tell my story," says Stone. "I wasn't ready. I had to be in a new frame of mind to become Sylvester Stewart again to tell the true story of Sly Stone. It's been a wild ride and hopefully my fans enjoy it too."

The most up-to-date book on the relationship between sport and crime. Provides new perspectives for students of sport studies, criminology or sociology. Topical, with stories of crime, corruption, doping and abuse in sport frequently in the news. Theoretically sophisticated, offering important new critical tools for understanding the sport-crime nexus.

Twentieth- and Twenty-First-Century Song Cycles: Analytical Pathways Toward Performance presents analyses of fourteen song cycles composed after the turn of the twentieth century, with a focus on offering ways into the musical and poetic structure of each cycle to performers, scholars, and students alike. Ranging from familiar works of twentieth-century music by composers such as Schoenberg, Britten, Poulenc, and Shostakovich to lesser-known works by Van Wyk, Sviridov, Wheeler, and Sanchez, this collection of essays captures the diversity of the song cycle repertoire in contemporary classical music. The contributors bring their own analytical perspectives and methods, considering musical structures, the composers' selection of texts, how poetic narratives are expressed, and historical context. Informed by music history, music theory, and performance, Twentieth- and Twenty-First-Century Song Cycles offers an essential guide into the contemporary art-music song cycle for performers, scholars, students, and anyone seeking to understand this unique genre.

The most up-to-date book on the relationship between sport and crime. Provides new perspectives for students of sport studies, criminology or sociology. Topical, with stories of crime, corruption, doping and abuse in sport frequently in the news. Theoretically sophisticated, offering important new critical tools for understanding the sport-crime nexus.

Presents a first analytical study that looks at the overarching designs of Benjamin Britten's John Donne, Thomas Hardy and William Blake solo song cycles. By questioning when a group of songs ought to be understood not merely as a collection, but as a cycle, Sly shows that Britten's personal selection and arrangement is indispensable to understanding these cycles' extra-musical communication. The Holy Sonnets of John Donne, Winter Words (poems by Hardy) and Songs and Proverbs of William Blake - composed in 1945, 1953 and 1965 respectively - each represent a philosophical exploration. The terrains set out by the three poets are distinct, but also engage one another in important and unexpected ways. Their cyclic architectures are expressed not only in their poetic arrangement, but in their musical settings. Key relationships and motive remain central for Britten. Keys convey a network of interconnections, create groupings of songs, and establish levels of tonal affinity or distance. Motive - often intervals that can fit into any melodic, harmonic or rhythmic context - is used to create aural affinities between or among individual songs. This book also offers a broader narrative revealing Britten's evolving philosophical convictions in post-war Britain. While it may not be the case that Britten intended any broader philosophical comment, the works together outline the cold and brittle state that emerges from loss and aligns with their composer's increasingly stark outlook on humanity.

Twentieth- and Twenty-First-Century Song Cycles: Analytical Pathways Toward Performance presents analyses of fourteen song cycles composed after the turn of the twentieth century, with a focus on offering ways into the musical and poetic structure of each cycle to performers, scholars, and students alike. Ranging from familiar works of twentieth-century music by composers such as Schoenberg, Britten, Poulenc, and Shostakovich to lesser-known works by Van Wyk, Sviridov, Wheeler, and Sanchez, this collection of essays captures the diversity of the song cycle repertoire in contemporary classical music. The contributors bring their own analytical perspectives and methods, considering musical structures, the composers' selection of texts, how poetic narratives are expressed, and historical context. Informed by music history, music theory, and performance, Twentieth- and Twenty-First-Century Song Cycles offers an essential guide into the contemporary art-music song cycle for performers, scholars, students, and anyone seeking to understand this unique genre.

First-century Alexandria vied with Rome to be the greatest city of the Roman empire. More than half a million people lived in its cosmopolitan four square miles. It was a major centre for international trade and shipping. Little remains of Alexandria's golden age. Few papyrus records of the city survive. Archaeologists' attempts to reveal its past have been frustrated by years of subsidence, earthquakes and continuous demolition and rebuilding. Our main guide to the city is Philo, an Alexandrian Jew, who, sometimes inadvertantly, incorporated information about his home city into his copious religious writings. In this compelling new study, Dorothy I. Sly searches through Philo's treatises for information about Alexandria. By recognising his shortcomings and prejudices, and questioning his judgements, she builds up an authentic picture of life in the first century.

Sonata form is fundamentally a dramatic structure that creates, manipulates, and ultimately satisfies expectation. It engages its audience by inviting prediction, association, and interpretation. That sonata form was the chief vehicle of dramatic instrumental music for nearly 200 years is due to the power, the universality, and the tonal and stylistic adaptability of its conception. This book presents nine studies whose central focus is sonata form. Their diversity attests both to the manifold analytical approaches to which the form responds, and to the vast range of musical possibility within the form's exemplars. At the same time, common compositional issues, analytical methods, and overarching perspectives on the essential nature of the form weave their way through the volume. Several of the essays approach the musical structure directly as drama, casting the work as an expression of its composer's engagement with an idea or principle that is dynamic and at times intensely difficult. Others concentrate their attention on a composer's use of "motive," which typically takes the form of a simple melodic span that shapes the musical architecture through an interdependent series of structural levels. Integrating these motivic threads within the musical fabric often warrants departures from formal norms in other areas. Analyses that seek to understand works with anomalous formal qualities-whether engendered by a motivic component or not-have a prominent place in the volume. Among these, accounts of idiosyncratic tonal discourse that threatens to undermine the unfolding of form-defining qualities or events are central.

Riding horses is an age-old pleasure but one that can't be taken lightly. People who want to take up this wonderfully satisfying sport, and those who wish to improve their skill, will find this comprehensive and responsible book to riding styles and skills both inspiring and informative. Basic Riding Techniques tells you what you need to know to get started, section two goes into slightly more advanced skills, such as how to achieve bend and flexion. Introduction to Jumping explores the principles of rhythm and balance; The World of the Horse is a fascinating introduction to the world of competition and international horse shows; and, Equestrian Events examines the exciting world open to people who ride for sport and pleasure. (Parts of the book have been previously published in Debby's Practical Rider's Handbook, now OOP, with extensive new material and updates for this new volume.)

First-century Alexandria vied with Rome to be the greatest city of the Roman empire. More than half a million people lived in its cosmopolitan four square miles. It was a major centre for international trade and shipping.
Little remains of Alexandria's golden age. Few papyrus records of the city survive. Archaeologists' attempts to reveal its past have been frustrated by years of subsidence, earthquakes and continuous demolition and rebuilding. Our main guide to the city is Philo, an Alexandrian Jew, who, sometimes inadvertantly, incorporated information about his home city into his copious religious writings.
In this compelling new study, Dorothy I. Sly searches through Philo's treatises for information about Alexandria. By recognising his shortcomings and prejudices, and questioning his judgements, she builds up an authentic picture of life in the first century.

This book is an invaluable guide to every aspect of horsemanship, with a fully illustrated directory of breeds of the world, step-by-step instructions on how to ride, and information about specialist equipment for both horse and rider. Over 60 breeds of horse and pony are covered, from the more familiar Thoroughbred and Shetland pony to the less well known Nonius and Caspian. Riding instructions cover tacking up for the first time to mastering the intricacies of dressage. The book also includes a directory of equipment, including the saddle, bridle and bit, training aids, horse clothing and protective equipment, and the rider's clothing.

A superb examination of the history of the Fens, containing a great deal of stunning photographs.

One of the few indisputable geniuses of pop music, Sly Stone is a trailblazer who created a new kind of music, mixing Black and white, male and female, funk and rock; penned some of the most iconic anthems of the 1960s and 70s, from "Everyday People" to "Family Affair"; and electrified audiences with a persona and stage presence that set a lasting standard for pop culture performance. Yet he has also been a cautionary tale, known as much for how he dropped out of sight as for what put him in the spotlight in the first place. As much as people know the music, the man remains a mystery. In Thank You, his much-anticipated memoir, he's finally ready to share his story - a story that many thought he'd never have the chance to tell. Written with Ben Greenman, who has written memoirs with George Clinton and Brian Wilson among others, Thank You will include a foreword by Questlove. The book was created in collaboration with Sly Stone's manager Arlene Hirschkowitz. "For as long as I can remember folks have been asking me to tell my story," says Stone. "I wasn't ready. I had to be in a new frame of mind to become Sylvester Stewart again to tell the true story of Sly Stone. It's been a wild ride and hopefully my fans enjoy it too."

Sonata form is fundamentally a dramatic structure that creates, manipulates, and ultimately satisfies expectation. It engages its audience by inviting prediction, association, and interpretation. That sonata form was the chief vehicle of dramatic instrumental music for nearly 200 years is due to the power, the universality, and the tonal and stylistic adaptability of its conception. This book presents nine studies whose central focus is sonata form. Their diversity attests both to the manifold analytical approaches to which the form responds, and to the vast range of musical possibility within the form's exemplars. At the same time, common compositional issues, analytical methods, and overarching perspectives on the essential nature of the form weave their way through the volume. Several of the essays approach the musical structure directly as drama, casting the work as an expression of its composer's engagement with an idea or principle that is dynamic and at times intensely difficult. Others concentrate their attention on a composer's use of "motive," which typically takes the form of a simple melodic span that shapes the musical architecture through an interdependent series of structural levels. Integrating these motivic threads within the musical fabric often warrants departures from formal norms in other areas. Analyses that seek to understand works with anomalous formal qualities-whether engendered by a motivic component or not-have a prominent place in the volume. Among these, accounts of idiosyncratic tonal discourse that threatens to undermine the unfolding of form-defining qualities or events are central.

CAA is the foremost conference on digital archaeology, and this volume offers a comprehensive and up-to date reference to the state of the art. This volume contains a selection of the best papers presented at the 40th Annual Conference of Computer Applications and Quantitative Methods in Archaeology (CAA), held in Southampton from 26 to 29 March 2012. The papers, all written and peer-reviewed by experts in the field of digital archaeology, explore a multitude of topics to showcase ground-breaking technologies and best practice from various archaeological and informatics disciplines, with a variety of case studies from all over the world. Download the Table of Contents and a sample chapter

This chilling follow-up to Bristol Murders brings together more true-life historical murders that shocked not only the city but frequently made headline news throughout the nation. They include the brutal murders of policemen Patrick White in 1846 and Christopher Wickham in 1862, a frightful case of murder and suicide at Bitton in 1842, and the deliberate starvation of a child at Knowle in 1874. There are murders for money, such as the murder of Mary Lewis in Stapleton in 1836, and a brief, but tantalising, mystery from 1915 when two separate murders in different parts of the city showed remarkable similarities. Nicola Sly's well-illustrated and enthralling text will appeal to everyone interested in true crime and the shadier side of Bristol's past.

Oxfordshire Murdersbrings together twenty-five murderous tales, some which were little known outside the county, and others which made national headlines. Contained within the pages of this book are the stories behind some of the most heinous crimes ever committed in Oxfordshire. They include the deaths of two gamekeepers, brutally murdered in 1824 and 1835; Henrietta Walker, killed by her husband at Chipping Norton in 1887; Mary Allen, shot by Harry Rowles at Cassington in the same year; and Anne Kempson, murdered by Henry Seymour, a door-to-door salesman, in Oxford in 1931. Nicola Sly's carefully researched and enthralling text will appeal to anyone interested in the shady side of Oxfordshire's history.

Hidden behind the picturesque facade of country lanes and rugged coastlines, quaint villages and busy market towns, the South West counties of Cornwall, Devon and Somerset have witnessed some of the most shocking murder cases in British history. West Country Murders brings together over 30 cases from the authors' previous collections here in one volume. They include stories of those who killed for greed, jealousy and lust, as well as those who committed murder in what a well-known judge once described as 'a gust of passion'. Some of the killers were undoubtedly insane at the time of their crimes; others were almost certainly innocent, yet paid the ultimate price for a murder they did not commit. Some remain unsolved to this day, despite the best efforts of the local constabularies. This book is sure to appeal to all those interested in the shady side of the West Country's history.

Like many of the families in this book, Rex Sly follows in the footsteps of his ancestors who were also farmers in the Fens. The land was reclaimed by forebears, giving this unique bond between "soil and soul"--each generation wishing to leave their soils as a sustainable inheritance to the next. The variety of crops which are grown has changed little over the past half-century, but the traditional farms have been largely replaced by high-tech agro-businesses. Not all farms in the fens are large, though, and the richness of the soils still enables the small grower to survive in a niche marketplace. The greatest change has been from the grower to the consumers' shopping baskets. The marketing chain has changed from markets and merchants to the vast supermarket network: fast and efficient for the grower and value for money for the public. The corn exchanges which witnessed the rise and fall of agriculture over one and a half centuries of history are now no more than farming monuments. The ever-increasing demands on our soils are of concern to those in the Fens. Each generation is replaceable--fen topsoil is not.

‘Broadmoor Inmates: True Crime Tales of Life and Death in the Asylum’ brings together the histories of people who died in Broadmoor Criminal Lunatic Asylum, each having committed a crime that led to them being pronounced criminally insane, necessitating their confinement and containment for their own protection, as well as that of the public. Nowadays, staff have a wide range of therapeutic tools at their disposal but historically the only treatment offered to patients was work, leisure activities and abundant fresh air. All human life is here – the addicts, the mentally deranged, the delusional, the tragic and the chronically and postnatally depressed – men and women whose acts of madness led them to be reviled and feared, but who were often as much victims of their own internal demons as were those they harmed. As well as wife murderers James Potter and Peter Whittle, the characters within include Henry Dommett, James Senior and Mary Ann Parr, who each killed their own children and Christiana Edmunds, who poisoned several people in Brighton to divert suspicion from herself, after attempting to murder her love rival. Other vignettes include serial arsonist John Green, counterfeiter Emma Jackson and James Stevenson and Roderick Edward McClean, both of whom took exception to the accession of Her Majesty Queen Victoria to the throne, the latter attempting to assassinate her. Daniel McNaughten became so paranoid about the ‘Tory’ spies that he believed followed him constantly that he killed a civil servant in 1843, mistakenly believing his victim to be prime minister Sir Robert Peel. Such was McNaughten’s derangement that his crime spawned a new standard for the legal definition of insanity. Generously illustrated throughout, this book will prove of interest to those with a fascination for historical true crime and the way its perpetrators were dealt with by society.

This is the long-awaited pocket text on risk assessment for students and professionals in all health and safety fields. Risk assessment and risk-based decision-making are essential skills in today’s health and safety fields, but a convenient pocket or desk reference has been needed with enough theory to begin a preliminary risk assessment, together with clear explanations, applications, and worked examples. This book addresses that need. It provides a practical resource for estimating risks in various applications, as well as assisting with the design of larger project-based assessments. It explains the two main numeric procedures: probabilistic, or “catastrophic�, and quantitative, or “chronic�, risk assessment, along with chapters on qualitative risk assessment and approaches to food-related risks. A final chapter examines how people perceive risk, and provides advice and assistance in the development of essential, effective risk communication with the public and with the media. Numerous case studies are analyzed.      Assessment and Communication of Risk: A Pocket Text for Health and Safety Professionals is a one-stop resource for students in all health and safety fields, and provides a valuable guide for existing field practitioners in public health, occupational health and safety, hospitals, environmental assessment offices, and ministries of health, labour, and the environment.